Art in the Medieval West and its audience / Madeline H. Caviness.

Format:

Book

Author/Creator:

Caviness, Madeline Harrison, 1938-

Series:

Collected studies ; CS718.

Collected studies

Language:

English

Subjects (All):

Art, Medieval.

Art appreciation.

Physical Description:

1 volume (various pagings) : illustrations, portrait ; 26 cm.

Place of Publication:

Aldershot ; Burlington USA : Ashgate, 2001.

Contents:

Medieval Views of 'Art' Vs. Modern Analysis

I 'De convenientia et cohaerentia antiqui et novi Operis': medieval conservation, restoration, pastiche and forgery (Intuition, und Kunstwissenschaft: Festschrift fur Hanns Swarzenski, ed. Tilmann Buddensieg. Berlin: Mann Verlag, 1973) 205

II Images of divine order and the third mode of seeing (Gesta 22/2. New York, 1983, pp. 99-120) 1

III 'The simple perception of matter' and the representation of narrative, ca. 1180-1280 (Gesta 30/1. New York, 1991, pp. 48-64) 1

IV The rationalization of sight and the authority of visions? A feminist (re)vision (Miscellania en Homenatge a Joan Ainaud de Lasarte, vol. I. Barcelona: Museu Nacional d'Art de Catalunya, 1998, pp. 181-7) 1

Designers, Patrons, and Ideologies

V Conflicts between regnum and sacerdotium as reflected in a Canterbury Psalter of ca. 1215 (The Art Bulletin 61/1. New York, 1979, pp. 38-58) 1

VI Anchoress, abbess, and queen: donors and patrons or intercessors and matrons? (The Cultural Patronage of Medieval Women, ed. June Hall McCash. Athens/London: University of Georgia Press, 1996) 105

VII Gender symbolism and text image relationships: Hildegard of Bingen's Scivias (Translation Theory and Practice in the Middle Ages, ed. Jeanette Beer. Kalamazoo: Medieval Institute Publications, 1997) 71

VIII Hildegard as designer of the illustrations to her works (Hildegard of Bingen: The Context of her Thought and Art, ed. Charles Burnett and Peter Dronke. London: Warburg Institute, 1998) 29

Modern and Post-Modern Views of Medieval Art

IX Broadening the definitions of 'art': the reception of medieval works in the context of post-impressionist movements (Hermeneutics and Medieval Culture, ed. P.J. Gallacher and H. Damico. Albany, NY: State University of New York Press, 1989) 259

X The politics of conservation and the role of the Corpus Vitrearum in the preservation of stained glass windows (XXVIII Internationaler Kongress fur Kunstgeschichte. Berlin: Akademie Verlag, 1994) 381

XI Learning from Forest Lawn (Speculum 69. Cambridge, MA, 1994) 963

XII Artistic integration in Gothic buildings: a post-modern construct? (Artistic Integration in Gothic Buildings, ed. V.C. Raguin, K. Brush and P. Draper. Toronto: University of Toronto Press, 1995) 249

XIII Obscenity and alterity: images that shock and offend us/them, now/then? (Obscenity: Social Control and Artistic Creation in the European Middle Ages, (Cultures, Beliefs and Traditions 4), ed. Jan M. Ziolkowski. Leiden: E.J. Brill, 1998, pp. 155-75) 1

XIV The feminist project: pressuring the medieval object (Frauen Kunst Wissenschaft 24. Marburg, 1997) 13.

Notes:

Includes bibliographical references and index.

ISBN:

0860788601

OCLC:

47243991