My Account Log in

1 option

Handel as Orpheus : voice and desire in the chamber cantatas / Ellen T. Harris.

Van Pelt - Albrecht Music Library ML410.H13 H283 2001
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Harris, Ellen T.
Language:
English
Subjects (All):
Handel, George Frideric, 1685-1759. Cantatas.
Handel, George Frideric.
Cantatas--History and criticism.
Cantatas.
Homosexuality and music.
Physical Description:
xi, 430 pages : illustrations, music ; 26 cm
Place of Publication:
Cambridge, Mass. : Harvard University Press, 2001.
Summary:
Handel wrote over 100 cantatas, compositions for voice and instruments that describe the joy and pain of love. In Handel as Orpheus, the first comprehensive study of the cantatas, Ellen Harris investigates their place in Handel's life as well as their extraordinary beauty.
The cantatas were written between 1706 and 1723 -- from the time Handel left his home in Germany, through the years he spent in Florence and Rome, and into the early part of his London career. In this period he lived as a guest in aristocratic homes, and composed these chamber works for his patrons and hosts, primarily for private entertainments. In both Italy and England his patrons moved in circles in which same-sex desire was commonplace -- a fact that is not without significance, Harris reveals, for the cantatas exhibit a clear homosexual subtext.
Addressing questions about style and form, dating, the relation of music to text, rhythmic and tonal devices, and voicing, Handel as Orpheus is an invaluable resource for the study and enjoyment of the cantatas, which have too long been neglected. This innovative study brings greater understanding of Handel, especially his development as a composer, and new insight into the role of sexuality in artistic expression.
Contents:
Prologue: "The Ways of the World" 1
1 Code Names and Assumed Identities 25
2 Women's Voices/Men's Voices 49
3 Pastoral Lovers 85
4 Cantata Couples and Love Triangles 127
5 Silence and Secrecy 171
6 Culmination of the Private 210
Epilogue: "True Representation" 240
Appendix 1 Cantata Chronology 267
Appendix 2 Texts and Translations of the Continuo Cantatas 297.
Notes:
Includes bibliographical references (pages [367]-415) and indexes.
ISBN:
0674006178
OCLC:
47013295

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account