My Account Log in

1 option

Early American cinema in transition : story, style, and filmmaking, 1907-1913 / Charlie Keil.

Van Pelt Library PN1993.5.U6 K39 2001
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Keil, Charlie.
Series:
Wisconsin studies in film
Language:
English
Subjects (All):
Motion pictures--United States--History.
Motion pictures.
United States.
History.
Motion picture industry--United States--History.
Motion picture industry.
Physical Description:
xiii, 306 pages : illustrations ; 23 cm.
Place of Publication:
Madison, Wis. : University of Wisconsin Press, [2001]
Summary:
The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere noveity to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, a Confederate Spy; and Suspense.
Contents:
2 "Boom Time in the Moving-Picture Business": Industrial Structure, Production Practices, and the Trade Press 20
3 "A Story Vital and Unified in Its Action": The Demands of Narrative 45
4 "An Immeasurably Greater Freedom": Time and Space in Transitional Cinema 83
5 "The Modern Technique of the Art": The Style of Transitional Cinema 125
6 Analyzing Transition: Six Sample Films 175.
Notes:
Includes bibliographical references, filmography and indexes.
ISBN:
0299173607
029917364X
OCLC:
47002138

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account