The bitch is back : wicked women in literature / Sarah Appleton Aguiar.

Format:

Book

Author/Creator:

Aguiar, Sarah Appleton, 1957-

Language:

English

Subjects (All):

American fiction--History and criticism.

American fiction.

Women in literature.

English literature--History and criticism.

English literature.

Women and literature--United States.

Women and literature.

Women and literature--Great Britain.

Feminism and literature.

Villains in literature.

Good and evil in literature.

Great Britain.

United States.

Physical Description:

viii, 173 pages ; 24 cm

Place of Publication:

Carbondale : Southern Illinois University Press, [2001]

Summary:

Although the "bitch" has always commanded a prominent spot in popular culture -- television, movies, art -- she virtually disappeared from the work of the second wave of feminist writers in the late 1960s and early 1970s. Now, announces Sarah Appleton Aguiar, the bitch is back, returned once more to cultural center stage in the world of serious literature.

Feminist writers such as Mary Gordon and Alice Walker, to name only two, felt obligated to subvert literary misrepresentations of females as dimensionless, to refute preconceptions of objectified characters, and, of paramount importance, to create memorable women full of complexity and character. They wanted to create a subjective reality for their protagonists. And they succeeded admirably.

But along the road to subjectivity, that vital woman, empowered with anger, with ruthless survival instincts -- the bitch -- was banished from the pages of feminist fiction. The village gossips, calculating gold diggers, merciless backstabbers, sinful sirens, evil stepmothers, deadly daughters, twisted sisters, hags, bags, and crones -- all had vanished from the fiction written by women. Ubiquitous in other forms of media, the bitch was noticeably absent from the feminist literary canon.

Aguiar, however, points to indications in contemporary culture that the season of the bitch is fast approaching. Contemporary feminist writers and theorists are making substantial reevaluations of the archetypal bitch. Focusing on the traits and the types of guises usually associated with this vital character, Aguiar examines over one hundred and thirty examples of the bitch as rendered in a wide range of literature. She also analyzes "new" versions of this character created by contemporary feminist authors and concludes that these new versions present a revised archetype: characters who are more complete, possessed of motivations, and strongly individual. Among the characters she discusses are Zenia in Margaret Atwood's The Robber Bride, Ruth Patchett in Fay Weldon's The Life and Loves of a She Devil, Sula in Toni Morrison's Sula, and Ginny in Jane Smiley's A Thousand Acres.

Contents:

Introduction: The Season of the Bitch 1

1. To Arche the Type or Not to Arche the Type 13

2. The Male Perspective 34

3. Women Reading and Women Writing the Bitch 57

4. Revising Literary History 80

5. The Art of Becoming a Bitch 98

6. Syzygy 114.

Notes:

Includes bibliographical references (pages 155-165) and index.

ISBN:

0809323613

0809323621

OCLC:

43864438