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Balthus : a biography / Nicholas Fox Weber.
LIBRA ND553.B23 W43 1999
Available from offsite location
- Format:
- Book
- Author/Creator:
- Weber, Nicholas Fox, 1947-
- Language:
- English
- Subjects (All):
- Balthus, 1908-2001.
- Balthus.
- Painters--France--Biography.
- Painters.
- France.
- Genre:
- Biographies.
- Physical Description:
- viii, 644 pages : illustrations ; 25 cm
- Edition:
- First edition.
- Place of Publication:
- New York : Knopf, 1999.
- Summary:
- A magnificent biography of one of the most elusive and enigmatic painters of our time, Balthus, the self-proclaimed Count de Rola, whose work is as widely collected and revered as it is dissected and psychoanalyzed for its shocking content.
- The story of Balthus's life has always been cloaked in contradictions and hearsay, most originating from the masterful manipulations of the artist himself. Balthus's use of the media to color his life -- like his paintings -- in a mysterious, ambiguous light, comes into focus in Nicholas Fox Weber's fascinating biography, which serves not only as a revelation of the artist and the man, but of the tenuous and complicated relationship between the painter and his subjects.
- Balthus was born in Paris in 1908 to Polish parents. He first stepped into the spotlight at the age of twelve with the publication of forty of his illustrations that told the story of a cat that ran away -- the text was written by Rainer Maria Rilke, then the lover of Balthus's mother, and a crucial influence on the young boy's growth and development as an artist and a man.
- We see Balthus's collaboration with Antonin Artaud on his Theater of Cruelty, his friendships with Fellini, Camus, and James Bond creator Ian Fleming, and his complicated, competitive relationships with Picasso and Andre Derain.
- Balthus's monumental portraits, a combination of traditional technique and an original vision, are highly sexualized, brilliantly rendered studies of adults and children, especially young girls, and are the stylistic descendants not of the impressionists, the cubists and expressionists that lived in his time, but of the classical work of Gustave Courbet and Piero della Francesca.Balthus's paintings are often filled with sado-masochistic overtones and sheer erotic force (an observation Balthus has always dismissed as ridiculous) and have evoked such intense shock in their viewers that many canvases have remained behind closed doors for decades to be seen by their owners alone.
- And as we come to know Balthus the man, the oddly erotic, sado-masochistic construct is peeled away to disclose the vision of an artist who searches for truth through deceit, joy through pain, and whose life in many ways is his finest creation.
- Contents:
- Chapter 1 A Birthday 3
- Chapter 2 Mitsou 19
- Chapter 3 Transformation 56
- Chapter 4 The Bomb 88
- Chapter 5 Narcissus 95
- Chapter 6 Piero 107
- Chapter 7 Perambulations 130
- Chapter 8 The Street 150
- Chapter 9 The Piero of Paris 186
- Chapter 10 The Guitar Lesson 205
- Chapter 11 The Window 249
- Chapter 12 Cathy Dressing 283
- Chapter 13 Alice 302
- Chapter 14 Derain 314
- Chapter 15 Miro 347
- Chapter 16 Surrealism A La Courbet 358
- Chapter 17 The Children 374
- Chapter 18 Therese 388
- Chapter 19 Battlefields and Chateaux 402
- Chapter 20 The Three Sisters 458
- Chapter 21 An Obsession in Disguise 475
- Chapter 22 The Villa Medici 491
- Chapter 23 Rossiniere 550
- Chapter 24 Cat at the Mirror 585.
- Notes:
- "This is a Borzoi book"--T.p. verso.
- Includes bibliographical references (pages 605-621) and index.
- ISBN:
- 0679407375
- OCLC:
- 41476743
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