My Account Log in

1 option

The films of Fred Zinnemann : critical perspectives / edited by Arthur Nolletti, Jr.

Van Pelt Library PN1998.3.Z56 F56 1999
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Contributor:
Nolletti, Arthur, 1941-
Series:
SUNY series, cultural studies in cinema/video
The SUNY series, cultural studies in cinema/video
Language:
English
Subjects (All):
Zinnemann, Fred, 1907-1997--Criticism and interpretation.
Zinnemann, Fred.
Zinnemann, Fred, 1907-1997.
Criticism and interpretation.
Physical Description:
xv, 286 pages : illustrations ; 23 cm.
Place of Publication:
Albany : State University of New York Press, [1999]
Summary:
Fred Zinnemann, celebrated director of such classic films as High Noon, From Here to Eternity, and A Man for All Seasons, is studied here in a book-length work for the first time. Zinnemann's fifty-year career includes twenty-two feature films, which are characterized by an unshakable belief in human dignity, a preoccupation with moral and social issues, a warm and sympathetic treatment of character, and consummate technical artistry. In discussing such issues as the role of Zinnemann's documentary aesthetic throughout his career, the relationship between his life and his art, his use and construction of history, and the central importance of women characters in his films, The Films of Fred Zinnemann lends new perspectives to the work of a major filmmaker and makes a significant contribution to the study of American cinema.
Contents:
Chapter 2 Conversation with Fred Zinnemann / Arthur Nolletti Jr. 11
Chapter 3 Act of Violence (1949) and the Early Films of Fred Zinnemann / Wheeler Winston Dixon 37
Chapter 4 The Eyes Have It: Dimensions of Blindness in Eyes in the Night (1942) / Martin F. Norden 55
Chapter 5 There Were Good Germans: Fred Zinnemann's The Seventh Cross (1944) / Leonard Quart 69
Chapter 6 Historical Perspective and the Realist Aesthetic in High Noon (1952) / Stephen Prince 79
Chapter 7 The Women in High Noon (1952): A Metanarrative of Difference / Gwendolyn Foster 93
Chapter 8 Repeat Business: Members of the Wedding / Louis Giannetti 103
Chapter 9 Spirituality and Style in The Nun's Story (1959) / Arthur Nolletti Jr. 119
Chapter 10 Behold a Pale Horse (1964): Zinnemann and the Spanish Civil War / Linda C. Ehrlich 139
Chapter 11 Fred Zinnemann, A Man for All Seasons (1966), and Documentary Fiction / Joel N. Super 157
Chapter 12 Shooting a Melon: The Target Practice Sequence in The Day of the Jackal (1973) / Lloyd Michaels 179
Chapter 13 "Do You Understand?" History and Memory in Julia (1977) / Stephen Prince 187
Chapter 14 Real-Life References in Four Fred Zinnemann Films / Claudia Sternberg 199
Chapter 15 Fred Zinnemann's Actors / Steve Vineberg 219
Chapter 16 Mythic Figures: Women and Co-Being in Three Films by Fred Zinnemann / Joanna E. Rapf 235
Zinnemann Filmography 251.
Notes:
Filmography: pages 251-261.
Includes bibliographical references (pages 263-266) and index.
ISBN:
079144225X
0791442268
OCLC:
40359313

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account