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The Stage directions guide to directing / edited by Stephen Peithman, Neil Offen.
- Format:
- Book
- Language:
- English
- Subjects (All):
- Theater--Production and direction.
- Theater.
- Physical Description:
- viii, 168 pages ; 23 cm
- Place of Publication:
- Portsmouth, NH : Heinemann, [1999]
- Summary:
- Every director -- from the beginner to the most experienced -- will find in this book invaluable information to make their direction more effective. Topics covered include: things to look for ill an audition, selecting the right play, criticizing effectively, basics of directing a musical, staging a big show with a small cast, blocking tips, managing rehearsals and schedules, and much more!
- Contents:
- Part I Preproduction 5
- 1 Ten Steps for Picking the Right Play: What to Look for Before You Decide 6
- 2 Finding the Right Play for You: How to Use Play Catalogues to Guide the Way 8
- 3 Thirteen Reasons Not to Pick a Show: A Baker's Dozen of Common Traps 11
- 4 Seven Reasons Not to Attempt the Classics: ...And All the Reasons Why We Should, Anway / Dale Lyles 14
- 5 How to Read a Script: Ten Ways to Judge Whether a Play is Right for You / Jim De Young 18
- 6 Is It Legal to Change the Script? 21
- 7 Photocopying Plays: Publishers Explain What's Legal and What Isn't 24
- Part II First Steps 31
- 8 Getting It All Together: How to Work with Your Production Team 32
- 9 Off to a Good Start: Set the Ground Rules Early
- and Stick to Them 35
- 10 Great Expectations: A Successful Opening Night Begins with the First Rehearsal / Nancianne Pfister 37
- 11 Make Time Work for You: How to Keep on Top of Things Throughout the Rehearsal Period 40
- 12 Off Book, On Target: Offstage Readers During Rehearsal Get Actors Out of the Script and Into the Play / Sue Wurster 42
- Part III Staging The Play 47
- 13 Using the Framing Device: Here's How to Bring the Action Full Circle 48
- 14 The Case for Delayed Blocking: Sometimes a Different Approach Can Be Useful / Michael Kanter 50
- 15 When to Block out of Sequence: Flexibility Sometimes Is More Important Than Strict Order 52
- 16 Ahead of the Crowd: How to Handle Large Groups on Stage 54
- Part IV Actor and Director 57
- 17 A Matter of Style: How You Direct Depends on the Play and the Actors 58
- 18 Play the Intention, Not the Line: Why the Script Is Only Twenty Percent of a Successful Performance 62
- 19 Succeeding with Difficult Actors: Recognizing the Types Is Step One 66
- 20 Working with Inexperienced Actors: It's Difficult, but Potentially Rewarding 70
- 21 The Tortoise and the Hare: With Experienced Actors, Different Strokes for Different Folks 74
- 22 Helping Them Be Heard: Projection Is a Special Challenge for Many Actors / Diane Crews 77
- 23 Triumphing over Mumblers: Practical Tips to Help Your Actors Project to the Last Row in the Theater / Sarah Anne Starr 80
- 24 Past Tense: Advice and Exercises to Help Actors Rid Themselves of Nervousness / Sarah Anne Starr 84
- 25 Having Words with Your Actors: Twelve Ways to Criticize Effectively 87
- 26 Avoiding Personality Conflicts: How to Keep the Communication Lines Open 89
- Part V General Concerns 91
- 27 A Chemistry Lesson: Sometimes Being a Good Director Means Being a Good Manager 92
- 28 Lighten Up: Seven Ideas for Boosting Morale 95
- 29 Onstage and Backstage Behavior: Etiquette, Schmetiquette
- It All Boils Down to One Thing 97
- 30 Dealing with Bad Reviews: Helping Actors Deal with
- and Learn from
- Criticism 103
- Part VI Directing the Musical 105
- 31 Song and Dance: The Eight Basics of Directing the Musical 106
- 32 Get a Move On: In Musicals, Pacing Is Key 111
- 33 Step-Kick-Turn: How One Non-Choreographer Coped / Stephen Peithman 113
- 34 Big Show, Small Cast: Turn a Challenge into an Advantage by Rethinking Your Artistic Concept / Scott Miller 116
- Part VII Special Challenges 119
- 35 Staying Focused Under Fire: Actors in a Controversial Play Need the Support of the Director 120
- 36 You Want to Do a Play About What?: A Fisthand Experience in High School Theater / Jerome McDonough 125
- 37 Hold for Laughter: Effective Comedy Needs Work to Seem Effortless / Nancianne Pfister 127
- 38 Who's in Charge Here?: Codirecting Challenges Two Leaders to Share a Vision
- Here's How to Make It Work / Nancianne Pfister 131
- 39 When You're Asked to Take Over a Show: Take a Deep Breath and Plunge In
- After You've / Thought It Through 136
- 40 The Student Director: Lead a Little, Lead a Lot
- Which Works Best? 138
- 41 Putting on the Dog: Canine Actors Can Be a Joy
- If You Know How to Select and Direct Them / Mary Johnson 140
- 42 Let the Good Crimes Roll: An Interactive Murder Mystery Requires Preparation and Planning / Lori Myers 146
- 43 The Cutting Edge: The Pitfalls
- and Secrets
- of Editing a Script for Competition 149
- 44 The Final Picture: How to Stage an Effective Curtain Call 153.
- ISBN:
- 032500112X
- OCLC:
- 40587972
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