Kassandra and the censors : Greek poetry since 1967 / Karen Van Dyck.

Format:

Book

Author/Creator:

Van Dyck, Karen.

Series:

Reading women writing

Language:

English

Subjects (All):

Greek poetry, Modern--20th century--History and criticism.

Greek poetry, Modern.

Greek poetry, Modern--Women authors--History and criticism.

Women in literature.

Politics and literature--Greece--History--20th century.

Politics and literature.

Women.

Politics and government.

History.

Greek poetry, Modern--Women authors.

Greece--Politics and government--1967-1974.

Greece.

Greece--Politics and government--1974-.

Women--Greece--Athens--Politics and government.

Greece--Athens.

Physical Description:

xi, 305 pages : illustrations ; 24 cm.

Place of Publication:

Ithaca, N.Y. ; London : Cornell University Press, 1998.

Summary:

In this pioneering study of contemporary Greek poetry, Karen Van Dyck investigates modernist and postmodernist poetics at the edge of Europe. She traces the influential role of Greek women writers back to the sexual politics of censorship under the dictatorship (1967-1974). Through responses to censorship -- including those of the dictator, the Nobel Laureate poet George Seferis, and the younger generation of poets -- she shows how women poets use strategies which, although initiated in response to the dictator's press law, prove useful in articulating a feminist critique. In poetry by Rhea Galanaki, Jenny Mastoraki, and Maria Laina, among others, she analyzes how the censors' tactics for stabilizing signification are redeployed to disrupt fixed meanings and gender roles.

As much a literary analysis of culture as a cultural analysis of literature, her book explores how censorship, consumerism, and feminism influence contemporary Greek women's poetry and also how the resistance to clarity in this poetry trains readers to rethink cultural practices. Van Dyck's comparative consideration of American beat poetry, Christa Wolf's "Cassandra", Poe's "The Purloined Letter", or Bakhtin's theory of the dialogical underscore the complexities of transnational exchange. Only with greater attention to the cultural and formal specificity of writing, Van Dyck argues, is it possible to "theorize" the lessons of censorship and women's writing.

Notes:

Includes bibliographical references (pages [261]-298) and index.

ISBN:

0801427045

0801499933

OCLC:

36768050