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Contemporary psychoanalysis and masterworks of art and film / Harry Trosman.
- Format:
- Book
- Author/Creator:
- Trosman, Harry.
- Language:
- English
- Subjects (All):
- Psychoanalysis and the arts--History--20th century.
- Psychoanalysis and the arts.
- History.
- Physical Description:
- xi, 212 pages : illustrations ; 22 cm
- Place of Publication:
- New York : New York University Press, [1996]
- Summary:
- In Contemporary Psychoanalysis and Masterworks of Art and Film, Harry Trosman demonstrates that a psychoanalytic point of view can vastly enrich one's understanding and appreciation of works of art.
- Drawing on current psychoanalytic views of the importance of fantasy, attachment and individuation theory, preoedipal factors in development, and object relations. Trosman addresses the impact of psychoanalysis on the understanding of the visual arts, painting, and film. Velazquez's Las Meninas, Giorgione's The Tempest, Rembrandt's self-portraits, and Seurat's La Grand Jatte are among the paintings Trosman analyzes. He also considers such films as Antonioni's L'avventura, Welles's Citizen Kane, Hitchcock's Vertigo, and Fellini's 8 1/2. The result is an insightful and innovative perspective, integrating classical and contemporary psychoanalytic thought with art and film criticism.
- Contents:
- Toward psychoanalytic iconography
- Psychoanalysis, las meninas, and the masterpiece
- The enigma of Giorgione's tempest and the distribution of psychic intensity
- Separation and cohesion in Seurat's un dimanche à la grande jatte
- Rembrandt and two self-portraits : Frick and Kenwood house
- L'avventura and the presentation of emptiness
- Citizen Kane and the return of the lost object
- Vertigo and the enabling fantasy
- 8¹/₂ and the disinhibition of creativity
- Psychoanalytic attributes of quality in art.
- Notes:
- Includes bibliographical references and index.
- ISBN:
- 0814782108
- OCLC:
- 34669281
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