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Elizabeth I : the competition for representation / Susan Frye.
LIBRA - Furness Storage DA355 .F79 1993
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- Format:
- Book
- Author/Creator:
- Frye, Susan, 1952-
- Language:
- English
- Subjects (All):
- Elizabeth I, Queen of England, 1533-1603.
- Elizabeth.
- Visits of state--England--Kenilworth--History--16th century.
- Visits of state.
- Pageants--England--Kenilworth--History--16th century.
- Pageants.
- Coronations--Great Britain--History--16th century.
- Coronations.
- Patriarchy--Great Britain--History--16th century.
- Patriarchy.
- Women--England--History--Renaissance, 1450-1600.
- Women.
- History.
- England.
- Spenser, Edmund, 1552?-1599. Faerie queene.
- Spenser, Edmund.
- Great Britain--History--Elizabeth, 1558-1603.
- Great Britain.
- Chastity in literature.
- Queens in literature.
- England--Kenilworth.
- Physical Description:
- xii, 228 pages : illustrations ; 25 cm
- Place of Publication:
- New York : Oxford University Press, 1993.
- Summary:
- Elizabeth I is perhaps the most visible woman in early modern Europe, yet little attention has been paid to what she said about the difficulties of constructing her power in a patriarchal society. This revisionist study examines her struggle for authority through the representation of her female body. Based on a variety of extant historical and literary materials, Frye's interpretation focuses on three representational crises spaced fifteen years apart: the London coronation of 1559, the Kenilworth entertainments of 1575, and the publication of The Faerie Queene in 1590. In ways which varied with social class and historical circumstance, the London merchants, the members of the Protestant faction, courtly artists, and artful courtiers all sought to stabilize their own gendered identities by constructing the queen within the "natural" definitions of the feminine as passive and weak. Elizabeth fought back, acting as a discursive agent by crossing, and thus disrupting, these definitions. She and those closely identified with her interests evolved a number of strategies through which to express her political control in terms of the ownership of her body, including her elaborate iconography and a mythic biography upon which most accounts of Elizabeth's life have been based. The more authoritative her image became, the more vigorously it was contested in a process which this study examines and consciously perpetuates.
- Notes:
- Includes bibliographical references and index.
- Local Notes:
- Acquired for the Penn Libraries with assistance from the Anne and Joseph Trachtman Memorial Book Fund.
- ISBN:
- 0195080238
- OCLC:
- 27011123
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