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Body work : objects of desire in modern narrative / Peter Brooks.

Van Pelt Library PN56.B62 B76 1993
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LIBRA PN56.B62 B76 1993
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LIBRA - Special PN56.B62 B76 1993
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Format:
Book
Author/Creator:
Brooks, Peter, 1938-
Contributor:
Gotham Book Mart Collection (University of Pennsylvania)
Language:
English
Subjects (All):
Human body in literature.
Sex in literature.
Narration (Rhetoric).
Literature, Modern--History and criticism.
Literature, Modern.
Human figure in art.
Penn Provenance:
Gotham Book Mart (former owner) (Gotham Book Mart Collection copy)
Physical Description:
xiv, 325 pages : illustrations ; 24 cm
Place of Publication:
Cambridge, Mass. : Harvard University Press, 1993.
Summary:
The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the "epistemophilic urge" - the desire to know - guides fictional plots and our reading of them. The novel is so singularly powerful an art form because it plays on our deepest yearnings, including the desire to penetrate the most private of realms. The body that interests Brooks most is defined radically by its sexuality. It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself - which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. In modern art and literature, the body as object of curiosity has been predominantly that of a woman. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force.
Notes:
Includes bibliographical references (pages [289]-318) and index.
ISBN:
0674077245
0674077253
OCLC:
26807912

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