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The fine art of repetition : essays in the philosophy of music / Peter Kivy.

Van Pelt - Albrecht Music Library ML3845 .K583 1993
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Format:
Book
Author/Creator:
Kivy, Peter.
Language:
English
Subjects (All):
Music--Philosophy and aesthetics.
Music.
Physical Description:
x, 373 pages ; 24 cm
Place of Publication:
Cambridge [England] ; New York : Cambridge University Press, 1993.
Summary:
Peter Kivy is the author of many books on the philosophy of art and, in particular, the aesthetics of music. This collection of essays spans a period of some thirty years and focuses on a richly diverse set of issues: the biological origin of music, the role of music in the liberal education, the nature of the musical work and its performance, the aesthetics of opera, the emotions of music, and the very nature of music itself. Some of these subjects are viewed as part of the history of ideas, others as current problems in the philosophy of art.
A particular feature of the volume is that Kivy avoids the use of musical notation so that no technical knowledge at all is required to appreciate his work. Thus, the essays will prove enjoyable and insightful not just to professionals in the philosophy of art and musicologists, or to musicians themselves, but also to any motivated general reader with a deep interest in music.
Contents:
Prelude: Music and Us
I Music and the liberal education 11
Work and Performance
II Platonism in music: A kind of defense 35
III Platonism in music: Another kind of defense 59
IV Orchestrating Platonism 75
V Live performances and dead composers: On the ethics of musical interpretation 95
VI On the concept of the "historically authentic" performance 117
The World of Opera
VII Opera talk: A philosophical "phantasie" 137
VIII How did Mozart do it?: Living conditions in the world of opera 160
IX How did Mozart do it?: Replies to some critics 178
Music and the History of Ideas
X Mozart and monotheism: An essay in spurious aesthetics 189
XI Child Mozart as an aesthetic symbol 200
XII Charles Darwin on music 214
Music and Emotion
XIII Mattheson as philosopher of art 229
XIV Kant and the Affektenlehre: What he said, and what I wish he had said 250
XV Something I've always wanted to know about Hanslick 265
XVI What was Hanslick denying? 276
XVII A new music criticism? 296
Music Alone
XVIII The fine art of repetition 327
XIX Is music an art? 360.
Notes:
Collection of essays written over the past thirty years and published in various books and journals.
Includes bibliographical references.
ISBN:
0521434629
0521435986
OCLC:
26210677

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