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Color and meaning : practice and theory in Renaissance painting / Marcia B. Hall.
Athenaeum of Philadelphia - Circulating Collection ND170 .H3 1991
Available
- Format:
- Book
- Author/Creator:
- Hall, Marcia B.
- Language:
- English
- Subjects (All):
- Painting, Renaissance.
- Physical Description:
- xiv, 274 pages : illustrations (some color) ; 29 cm
- Place of Publication:
- Cambridge ; New York : Cambridge University Press, 1992.
- Contents:
- Introduction : can we know what Renaissance color was?
- The Cennini system
- Duccio, Christ healing the man born blind
- Giotto, Betrayal of Christ
- Fra Angelico, Descent from the cross
- Alberti, Flemish technique, and the introduction of oil
- Jan van Eyck, Virgin of the Canon van der Paele
- Domenico Veneziano, The Madonna and Child with saints (Saint Lucy altarpiece)
- Piero della Francesca, Madonna and Child with saints (Montefeltro altarpiece)
- Perugino, Lamentation over the dead Christ
- The modes of coloring in the cinquecento
- Leonardo da Vinci, Mona Lisa
- Michelangelo, The Sistine Chapel vault
- Raphael, Transfiguration
- Sebastiano del Piombo, Flagellation, Transfiguration, Prophets
- Andrea del Sarto, Madonna of the harpies
- Mannerism and counter-reformation
- Pontormo, Entombment
- Bronzino, Pietà
- Perino del Vaga, Sala Paolina
- Barocci, Entombment
- Venice and the development of tonal painting
- Giorgione, La tempesta
- Titian, Bacchus and Ariadne
- Titian, Danaë visited by the shower of gold
- Jacopo Tintoretto, The last supper.
- Notes:
- Includes bibliographical references and index.
- ISBN:
- 0521392225
- OCLC:
- 23766002
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