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Theatre in the Victorian Age / Michael R. Booth.

Van Pelt Library PN2594 .B58 1991
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Format:
Book
Author/Creator:
Booth, Michael R.
Language:
English
Subjects (All):
Theater--Great Britain--History--19th century.
Theater.
Great Britain.
History.
English drama--19th century--History and criticism.
English drama.
Physical Description:
xiv, 218 pages : illustrations ; 24 cm
Place of Publication:
Cambridge [England] ; New York : Cambridge University Press, 1991.
Summary:
This book examines all major aspects of theatre practice and dramatic literature of the Victorian period. Michael Booth's comprehensive survey explores the social and cultural context of the theatre including theatre management, the audience, architecture and production methods, acting and the job of actor, as well as the drama itself. Within this framework, Booth discusses such topics as the effect on theatre of population growth and the spread of the railway system, the typical organisation of a Victorian theatre company, the contribution to theatre of several important Victorian actor-managers, the use of stage machinery and lighting instruments, and the stock company and the rehearsal system. The volume also includes a chapter on sources, numerous previously unpublished illustrations, and a chronology. The result is a lively and informative account of the diversity, energy and colour of the Victorian stage, the whole period comprising one of the most fascinating and vigorous eras in the history of the English theatre.
Contents:
1 Theatre and society 1
Audiences and social class 2
Population growth and new theatres 3
Audience composition 6
The music hall 11
Railways 14
Provincial theatres 16
Touring companies 18
Religious attitudes to theatre 21
2 Management 27
Managerial responsibilities 28
Motivation and capital investment 31
Company organisation and expenses 33
Revenue and pricing policy 38
Macready 41
Vestris 44
Phelps 46
Charles Kean 47
Calvert and Saker 49
Wilton and Bancroft 52
Irving 54
Dominance of the actor-manager 55
3 Playhouse and production 58
The auditorium 58
Sanitation 66
Safety and fire protection 67
The stage and stage machinery 70
Scene-painting 80
Lighting and scenic effect 82
Sound effects 93
Technical rehearsals 94
Pictorialism and archaeology 95
Realism 96
4 The actor 99
Going on stage 99
Workload 102
Rehearsals 104
Touring company employment 109
The West End actor 111
Actresses 112
Costume and makeup 114
Wages 117
Pictorialisation and elevation 120
Vocal delivery and music 121
Acting space 124
The point 125
The stock company and lines of business 125
Melodramatic acting 129
Transvestism and duration 130
Realism, refinement and the domestic 131
Approaches to acting 133
Psychology 137
5 Dramatists and the drama 141
Income and copyright 142
Censorship and audience taste 145
Tragedy 148
Knowles 149
Melodrama 150
Middle-class prejudice 162
Class hatred 163
Business crime 164
Boucicault 167
Ibsen 169
Jones and Pinero 174
Shaw and Wilde 176
Comedy 178
Robertson 182
Byron 184
Gilbert 185
1890s comedy 187
Farce 189
Planche and extravaganza 194
Burlesque 196
Pantomime 198.
Notes:
Includes bibliographical references (pages 203-209) and index.
ISBN:
0521343518
0521348374
OCLC:
22624491

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