1 option
Theatre in the Victorian Age / Michael R. Booth.
- Format:
- Book
- Author/Creator:
- Booth, Michael R.
- Language:
- English
- Subjects (All):
- Theater--Great Britain--History--19th century.
- Theater.
- Great Britain.
- History.
- English drama--19th century--History and criticism.
- English drama.
- Physical Description:
- xiv, 218 pages : illustrations ; 24 cm
- Place of Publication:
- Cambridge [England] ; New York : Cambridge University Press, 1991.
- Summary:
- This book examines all major aspects of theatre practice and dramatic literature of the Victorian period. Michael Booth's comprehensive survey explores the social and cultural context of the theatre including theatre management, the audience, architecture and production methods, acting and the job of actor, as well as the drama itself. Within this framework, Booth discusses such topics as the effect on theatre of population growth and the spread of the railway system, the typical organisation of a Victorian theatre company, the contribution to theatre of several important Victorian actor-managers, the use of stage machinery and lighting instruments, and the stock company and the rehearsal system. The volume also includes a chapter on sources, numerous previously unpublished illustrations, and a chronology. The result is a lively and informative account of the diversity, energy and colour of the Victorian stage, the whole period comprising one of the most fascinating and vigorous eras in the history of the English theatre.
- Contents:
- 1 Theatre and society 1
- Audiences and social class 2
- Population growth and new theatres 3
- Audience composition 6
- The music hall 11
- Railways 14
- Provincial theatres 16
- Touring companies 18
- Religious attitudes to theatre 21
- 2 Management 27
- Managerial responsibilities 28
- Motivation and capital investment 31
- Company organisation and expenses 33
- Revenue and pricing policy 38
- Macready 41
- Vestris 44
- Phelps 46
- Charles Kean 47
- Calvert and Saker 49
- Wilton and Bancroft 52
- Irving 54
- Dominance of the actor-manager 55
- 3 Playhouse and production 58
- The auditorium 58
- Sanitation 66
- Safety and fire protection 67
- The stage and stage machinery 70
- Scene-painting 80
- Lighting and scenic effect 82
- Sound effects 93
- Technical rehearsals 94
- Pictorialism and archaeology 95
- Realism 96
- 4 The actor 99
- Going on stage 99
- Workload 102
- Rehearsals 104
- Touring company employment 109
- The West End actor 111
- Actresses 112
- Costume and makeup 114
- Wages 117
- Pictorialisation and elevation 120
- Vocal delivery and music 121
- Acting space 124
- The point 125
- The stock company and lines of business 125
- Melodramatic acting 129
- Transvestism and duration 130
- Realism, refinement and the domestic 131
- Approaches to acting 133
- Psychology 137
- 5 Dramatists and the drama 141
- Income and copyright 142
- Censorship and audience taste 145
- Tragedy 148
- Knowles 149
- Melodrama 150
- Middle-class prejudice 162
- Class hatred 163
- Business crime 164
- Boucicault 167
- Ibsen 169
- Jones and Pinero 174
- Shaw and Wilde 176
- Comedy 178
- Robertson 182
- Byron 184
- Gilbert 185
- 1890s comedy 187
- Farce 189
- Planche and extravaganza 194
- Burlesque 196
- Pantomime 198.
- Notes:
- Includes bibliographical references (pages 203-209) and index.
- ISBN:
- 0521343518
- 0521348374
- OCLC:
- 22624491
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.